G a m e   A u d i o    
 
Demo Montage:
Demo Montage (3:33) (5.69mb) - The one-stop-shop demo montage, for producers/directors on the go. Includes music from several different styles and moods.

 

Orchestral, Choral:
"Kaos War" Main Theme (3:33) (4.88mb) - An epic main theme for the upcoming MMORPG Kaos War, this piece uses Bulgarian vocals sung by the Yale Slavic Chorus in order to portray an ancient battle-torn fantasy world. It also uses large orchestration supported by an expanded percussion section, including my Impact: Steel metallic percussion set.

"Hellgate London" E3 2008 Trailer (1:44) (2.39mb) - This trailer for Flagship Studios' action RPG Hellgate London blends electronics with orchestra and rock instruments, as well as large choir, ending with a brief ambient dulcimer solo. The trailer itself can be viewed here.

The Awakening of Anubis (1:30) (2.06mb) - This AudioGANG Award-winning piece depicts modern day explorers looting an ancient tomb, with frightening results. An ambient introduction with Hebrew vocals and shimmering yet foreboding percussion leads on to a fiery epic action segment.

"The Mansion of Crossed Destinies" (4:49) (8.83mb) - A suite comprised of interactive musical segments from my adaptive score to the game "The Mansion of Crossed Destinies", this piece uses Neo-Classical orchestration along with mystic and Egyptian influences to describe an opulent haunted house setting.

"Ideality" Main Theme (1:22) (1.89mb) - This piece is the theme song for a fantasy adventure film, using colorful, magical orchestration and a heroic melody to portray a fantasy landscape.

"Atonement" Main Theme (2:07) (2.92mb) - Written for a Medieval-setting, this piece rises in intensity and builds to a grandiose climax, then falls into a mellow, colorfully orchestrated resolution. (full version)

The Town of Riverfell (1:05) (1.49mb) - Written for a fantasy setting, this track describes a bustling Medieval metropolis, complete with artisans, knights, and breathtaking monuments. It uses pleasant melodic orchestrations to convey this image.


 
 
 

Electronic, Hybrid:
 South Street Showdown (2:19) (3.19mb) - This clip uses guitars and synth textures to portray a gritty, crime-ridden urban underground feel. Beginning with an ambient soundscape, it grows into a driving beat.

"Eden" Montage (2:52) (3.94mb) - Written for an episodic machinima short, this soundtrack features militaristic orchestration as well as ethnic flute solos, tribal percussion, and electronically-manipulated east Asian plucked strings to underscore covert military operations on a remote Pacific island.

Apocalypse (2:07) (3.88mb) - A powerfully dark electro-orchestral theme, using choir and industrial percussion to illustrate strife and heroism in a ruined world.

"The Hit" Montage (2:32) (3.49mb) - Originally composed for an shooter/action film, this montage starts off with ambient atmospheric electronics and hand percussion solos, then builds into a blasting, high energy electro-orchestral action segment.

Caleb Escapes (4:58) (6.83mb) - From the film "Cold By Nature", this action cue begins with an ethereal texture and quickly grows into a rousing chase scene using orchestra, hand percussion and metallic percussion.

 

Emotional, Cinematic:
 Imaginary Friends (3:00) (4.12mb) - This is a reflective, melodic song featuring solo cello (Alex Atanasiu), fiddle (Jeff Ball), piano, and ambient electronics. It uses the juxtaposition of live instruments and heavily effected electronics to illustrate a heartbreaking disconnect between reality and imagination.

Lullaby (2:20) (3.20mb) - This piece is a serene vocal track, sung by Jillian Goldin. It uses a small string section, piano, celesta, flute, and very subtle electronics to support the childlike innocence of the vocal melody.

Reasons to Die (1:13) (1.67mb) - This track is the ending theme to the murder/suspense film "Dead Man's Hour". It is a lugubrious and melodic cello (Alex Atanasiu) and guitar (Brian Auld) duet, illustrating the conclusion to this film where the protagonist has only one night to right his wrongs before his life comes to an end.

Visiting Father's Graveyard (2:25) (3.33mb) - From the film "Cold by Nature", this reflective cue is played during a flashback to the protagonist's father's murder.  It uses piano and strings in a rising motif that culminates at the very moment of his death, which smashcuts back to his son in tears at the graveyard.

"Teen Idol Tom" End Credits (3:24) (4.69mb) - Written for a suspense drama, this track brings closure to the story with serene orchestrations, piano solo, and classical vocals sung by Jillian Goldin. A highly thematic score, this track features the main character's theme, the main theme of the film, as well as a love theme on solo piano.